Ceramic Sculpture Discussion & Chat - How can I add strength?

by Willie English
(Sutton Coldfield)









First attempt with broken wheel Ceramic Sculpture Discussion & Chat - How can I add strength?

First attempt with broken wheel Ceramic Sculpture Discussion & Chat - How can I add strength?

Ceramic Sculpture Discussion & Chat - How can I add strength?:- I think your website is great, and very informative. I am a complete novice only having done 2 pieces (Rose flower & a Vintage car) some years ago. I have now decided to have another go and so I am going to have a go at another vintage car (Alfa Romeo P3).

My first car broke its wheels off during firing. I had to glue them back on after. (Picture attached)

Question - What can I use to add strength to the axle area where the wheels join? Could I use a steel rod, wood rod before or through firing???

Any help would be greatly received.

===================================
Reply by Peter (admin)

to 'Ceramic Sculpture Discussion & Chat - How can I add strength?'

Hi Willie

Thanks for taking the time and trouble to contact the site and send in your submission. Nice car! You have natural skills. Tip: think like an engineer rather than an artist. That is what I do to produce my results. However, I reckon you already think this way, just just do more of it.

Sorry for the slight delay in answering, but I have been putting together a new section of the site - which may well be of interest to yourself and other sculpting scholars because it goes into some depth about the process of making bone china figurines for commercial production. It also profiles some of the key Staffordshire potters who help us make our wares.

For a link please go here:

www.figurinecollect.com

Now, with regard to your query, here is how I would tackle the weakness problem you identify:-

    NO STEEL RODS OR WOODEN SUPPORTS OF ANY KIND PLEASE!

    There are many places on my sculpts where I have the same type of issue. For example, a thin shawl, or a delicate parasol. The secret is to work out the angle of view, so that from the viewing angle, the subject looks thin, but from a angle that can't be seen, there is lots of EXTRA CLAY to support the piece.

    If you look at the parasol on this collectible figurine of mine it looks for all intents and purposes to be a thin fabric parasol material. Whichever direction you look it appears to be thin fabric. However, it is actually quite substantial and thick and joins the shawl at the back with a really strong thick clay fitting.

    So it is very possible to mix the aesthetic with the practical if you plan your sculpt in the right way.

    With a car like yours I would be looking to make very strong joins on the base of the car to the wheel where the eye cannot see.

    Don't forget you are making a clay sculpture, not a car. However, the eye sees not what's there, but what it wants to see.

    In other words, if your modeling is detailed and good enough, viewers will see a car, not a clay sculpture, and have no perception at all of the strengthening points you have strategically placed.


Hope this helps.

Best regards,

Peter (admin)

These pages show our new English made bone china figurine collection

GO TO THE SITE SEARCH FUNCTION


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Ceramic Sculpture Discussion & Chat - How can I add strength?

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Further Ceramic Sculpture Discussion & Chat - Car
by: Willie English

Thanks for the information.Its much appreciated. I will do that.

As an aside, thinking like an engineer is no problem as I am an Automotive Design Engineer having worked for Aston Martin, Jaguar etc.

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Further comment by Peter (admin):- Great Willie - I think of this stuff as 99% engineering 1% art/inspriration. HOWEVER - the 1% is VERY crucial to the final result.

Call to Ceramic Artists NEW
by: Anonymous

FOR IMMEDIATE RELEASE

Media Contact:
Julie Hirota
jhirota@rosevillearts.org
(916) 783-2339

Artists Invited to Participate in Clay Competition and Exhibition: Totems, Plates & Teapots at the Blue Line Gallery, Roseville, CA.

ROSEVILLE, CA, February 4, 2012— Sacramento artist,Tony Natsoulas, once again invites artist to participate and compete in works of clay of Totems, Plates & Teapots, the second annual event, sponsored by the Placer Community Foundation and Alpha Fired Arts, certain to gain national recognition.

The event includes an invitational selected by Tony Natsoulas and a competition juried by the Director of the American Museum of Ceramic Art, Christy Johnson. This year, several exciting additions have been added to increase the caliber of the show. The grand prize winner will receive a full color announcement in Ceramics Monthly featuring their prized piece, selected by juror, Christy Johnson-Executive Director of the American Museum of Ceramic Art .

"Blue Line is an amazing space for clay artists, collectors and educators to participate, view and enjoy the work of highly collectible and exciting emerging work from clay artists around the world," quotes Roseville Arts - Blue Line Gallery, Chief Executive Officer, Julie Hirota. "It's so important to give artists the opportunity to share the work with the community."

Artists are encouraged to submit their work for consideration through the Roseville Arts website. http://www.rosevillearts.org/clay
Exhibition dates: Apr 20 - June 2nd


Important Dates:
Deadline to Submit Entry for consideration: March 24, 2012
Exclusive VIP Reception (tickets available): April 19, 2012
Exhibition Dates: April 21 – June 2, 2012
WHAT: Totems, Plates & Teapots Ceramic Exhibition and Competition
WHEN: April 20 - June 2, 2012
WHERE: Blue Line Gallery, 405 Vernon Street, Roseville, CA 95678
WHY: To share fine ceramic work, benefiting the artist community and educational arts efforts

About Tony Natsoulas:

Natsoulas brings years of experience and named by the Smithsonian as one of the top 100 craft artists in the United States, he has worked with and shown alongside some of the finest contemporary American artists of our time. The Northern California native is known internationally for his unconventional ceramics, especially for his large-scale, often whimsical figurative work.

"This show presents traditional forms in non-traditional ways," says Sacramento artist Tony Natsoulas, curator for the exhibit. "Plates are presented as paintings, totems as contemporary sculpture and teapots as conversation and conventional use."

Roseville Arts’ Blue Line Gallery is a non-profit community center for the arts. Further information can be found on the website: www.rosevillearts.org or by calling (916) 783-4117.


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