A warm welcome to the only resource a fine china inheritor might ever need.
Many enthusiasts and collectors also love to join me to revel in my mission is to demystify the world of fine quality china. From identifying obscure pottery marks and teaching you to pick out those hidden treasures we all love to love - to finally comprehending the rich history (and above all PEOPLE) behind each factory and company brand in their rise to the kingdom of the kiln masters.
I am Peter Holland, and this website is the ultimate gathering together of my life's work in ceramics. As a clay modeller/commercial sculptor for UK famous name brands like Royal Doulton, Royal Worcester and Coalport my work generated tens of millions of revenue for those brands from the 1990's forward, during a very special 'late blooming' period in conjunction with the brilliant Compton & Woodhouse marketeers.
I bring a unique take to this field:- the insider's knowledge chest. I aim to share this knowledge with you, helping you identify, value but above all appreciate and respect your fine china with confidence that comes from background knowledge.
Thank you for visiting. Let's explore this beautiful world together - I welcome user generated comment and questions. We have over 1000 pages of this.
To learn more about my personal journey and my work with Royal Worcester and the other factories, visit The Artist's Studio.
To discover how this website helps people, read a few of the heartfelt testimonials here:- Figurines Sculpture Testimonials
Below is the story of how untrained, unqualified and undeterred, I rose to become a leading figure in the UK ceramics industry.
What others are saying:
![]() |
Roger Green. Production Manager Royal Worcester, England.
"Having worked at Royal Worcester for thirty five years, I have had the privilege of working with some of the finest sculptors and craftsmen in the world. When Peter modeled the first Celtic Princess (Tara) it revolutionized the style of china figurines. A new era had begun. In addition to that, Peter's model ‘Forty Winks’, in my opinion is the finest figure Royal Worcester has produced in a long time, and one to collect, as I have! I managed to get a pre-production copy in a unique colour (a privilege of the job). Peter is a sculptor at the pinnacle of his profession. The movement, bone structure and grace of his models are second to none. He rates with the very best". |
![]() |
Tamara Bonêt, Sculptor, California, USA.
"A lot of successful sculptors don't want to give the time of day to a new artist. Peter was different. I was so excited to have such a world class sculptor email me. Okay, I was a little star struck. Then, his regular emails continued helping me step by step. Some of his technical advice still rings in my ears as I sculpt my current work. I'm grateful to him for the encouragement given those many years ago. He's a great guy and artist".
![]() |
![]() |
Go to the Gallery Pages for more examples of Peter's Work
Mary Shaw, Artist and Gallery Owner "There is something about the way Peter Holland works a bronze nude that pairs down the essence of what it is to be human. Beautiful young women in their prime, yet not perfect. Pensive yet confident at the same time. As people, we all have a duality about us - that's what makes us the frail monsters that we are!" |
![]() |
Damian, Typical Site Visitor Says...
"Let's face it, the internet - like the world - has a lot of trash for us to trawl through. Your site and your beautiful creations have enriched both. I admire your work immensely and your clarity that comes through also in the way you write and express yourself on the site".
Before going into the world of ceramic sculpture as a professional, I worked with retailers Jaeger and Liberty of London, England in sales management and buying.
It was a very good career for someone only in their 30's, but I didn't get to see my kids much...
At the same time, making time to pursue my interest in clay sculpture, my work was first formally recognized during an exhibition of my work at the Royal Miniature Society in 1993 in Regent Street, London (ironically, very close by to the Liberty store where I worked). The maximum of five sculptures were accepted by the RMS.
It seems a big step from this first small success to switch careers to a sector in which I had no background and no formal training. However, I was prepared to follow my instinct - that small voice in the dark - to wherever it might lead.
The tale of how I was eventually commissioned by the likes of
Royal Worcester, Wedgwood, Coalport and Royal Doulton to produce work
for them is a story in its own right.
How I was able to use the SBI website platform to build a site in the top 1% of all websites.
Return from
Peter Holland Story (about page)
to
homepage
Inherited a china set?... Download my free 7-point checklist to instantly assess its potential value.