Make sure you are up to speed.... just read down the checklist.
The detailed explanations are right here on this page below.
Each tool explained in turn.
Look for the blue techie boxes
....GOOD SCULPTING MADE EASIER
Adding & blending
Cutting & repositioning
Scraping & shaping
Painting on
Smoothing
Fine detailing (e.g. face, hair, fabric sprigging, hands & feet)
This 'Advance Your Clay Sculpture' Tutorial works differently from the 'Online Sculpture Lesson' which takes you through a piece from start to finish.
Here's the reason this page is different:
Some tools are used for several techniques - i.e. they multi-task. So here I will outline a mini-tutorial for each tool, specifying which techniques it handles.
You can't get such a tool elsewhere. I tried. They are all too thin in the handle for comfort. I had get them made myself.
Because it's hardwood, the sharp pointy end can act like a potter's needle (I have broken every potters needle I ever bought apart from this one!). Clumsy me!
techniques used for - adding & blending
The small cutter tool: Very useful for taking away subtle areas of clay, particularly - facial contours, fabric flow etc.
The small cutter tool is a must, an important component of my essential hardwood tool set. You can't get such a tool elsewhere. I tried. I had get them made myself. Such a tool has to be very fine yet very strong and resistant.
techniques used for - scraping & shaping, esp. faces & neck/shoulders
The Curver Clay Tool: Very useful for all adding and blending. Like the basic tool above, it does much of the work - getting into narrower spaces the basic tool can't due to it's curve.
In fact, the plain curved end has several uses: as an applicator in difficult corners, as a cutter and groover and for accurate shaping.
Important in my essential hardwood tool set because the other serrated side is able to help rough out nice curved undulating curves.
This is the only tool on the market which combines these two functions.
techniques used for - adding & blending, cutting & repositioning, Scraping & shaping
The Ribbon Cutter Clay Tool: A flat bladed cutting loop - round one end and angular at the other.
Important in my own design essential hardwood tool set because you NEVER get these two functions together. Normally, you'd be buying two tools.
There are many shapes and sizes of ribbon tool around ('ribbon' meaning flat cutting edge). The only two ends I have ever used for figure modeling are these two - so I combined them into one tool - one angled, one curved. They take away medium sized slices of clay.
techniques used for - scraping & shaping
The Scraper Clay Tool: Very useful for preparing a rough area for smoothing out - it takes off the top layers.
Included in the essential hardwood tool set because I, personally, need such a tool with a serrated edge and I have seen students trying to do the same job with their finger which is very amateur and ineffective and frankly annoying!! You can't get such a tool anywhere else unless you make your own.
The square end is a sharpened edge ideal for squaring off and cutting.
techniques used for - smoothng, scraping & shaping
The Double Cutter Clay Tool: Mainly for use early on when whipping the clay into an initial shape. The circular ribbon end of this most useful of clay tools is a clay remover ribbon tool (flat blade) used for larger areas of clay. Sturdy and robust you can really work this tool hard.
The curves at the shaped wire end allow for grooving and shaping more intricate areas.
Included in my essential hardwood tool set because I had a tool like this (with a plastic handle) which I used all the time on the early part of the sculpt. Trouble is, I can't remember where I bought it and when I tried to search for it I couldn't find one anywhere! So you might be able to get such a tool elsewhere - good luck!
Now we go onto the tools generally take over once the general roughing out and shaping phase has been completed.
This is phase 2 (which some artists do not get to - as they are creating more free and spontaneous sculptures), where the sculpt starts to get a bit more refinement (but no intricate detailing just yet!).
With this phase you are really working the composition of the piece until you gradually reveal what is n your mind's eye (or your visual references).
This is where slightly more refined and sharper tools are needed - hence the forged steel tools.
Made in the UK (true Sheffield Steel), are hard to come by, but there is nothing else to compare with them on the market.
The firm is small and quirky and also makes beautiful handmade hunting knives and pen knives with bone handles - works of art each one handmade - but I digress....
These English forged steel tools are expensive (can be up to £10 GBP each) because they are hand made in the UK in small quantities, rather than mass produced abroad. However, if I couldn't get these tools I'd be stuck because they are not replicated anywhere.
I tested some 'copy-cat' tools made in Pakistan and much cheaper, but they just don't do the same job (at least for my type of work).
I have put a contact form lower down on this page so you can talk to me about getting hold of these tools if you want to.
By the way, the UK firm offer a big selection of forged steel tools, but I list and stock only those which I find useful for ceramic sculpture.
Claw Scraper (serrated edge)
This curve edge serrated edge scraper is my number one tool for general shaping in clay sculpture development, finishing and refining of any piece I do (after the first roughing our phase is complete). Please remember that everyone is different, but these are my clay sculpting tutorials, so you an insight to my methods!
A nimble cutter, the curved serrated edge also serves to shape flowing, even, curved planes. Although it's steel versus clay, I wear this tool out every couple of years. I'd be lost without it.
techniques used for - scraping, shaping, cutting, smoothing
Round Edge Serrated Scraper
This round edge serrated scraper gets to the parts the curve edge can't.
Apart from that, similar in use to the claw scraper apart from the fact its not so nimble used as a cutter.
techniques used for - scraping, shaping, smoothing
Mixed Use Tool
This mixed use tool has mixed use. First its a good applicator tool for applying small pellets of clay to specific areas.
Second, sometimes you have to shape and model precise edges - say the edges of clothing.
Finally (its the main use for this tool) I use it to sculpt hands and feet, by 'rounding off' the planes of the fingers & toes.
techniques used for - adding, cutting, hands, fingers, toes
Small Spatular Tool
This tool has a very useful fine spatula end which comes off at a slight angle to help with access into difficult areas, such as, underneath the chin, or applying and pressing a tiny amount of clay to shape a cheekbone.
The other end is not one I use, so I can't tell you what it could be used for.
Obviously, other tools mentioned above can do the job of applying smallish amounts of clay, but when you are doing small intricate areas, you need this tool, or one very like it.
Tools like this are all about making difficult things just that bit easier.
techniques used for - adding & blending (rolling)
These are not from the forged steel collection - they are just standard dental tools.
I use two different dentist tools. They are very specific and absolutely vital to the fine detailing, particularly on faces. If you like my faces, these are the tools which make the art possible.
One has rounded ends (small and smaller), the other has flat ends at different angles.
1. Both ends round. One smaller. Used for facial detail especially eyebrows, mouth, nostrils etc. Don't just use the end, use the side and corner .
2. Both ends flat. One on edge, one flat. Used for applying tiny amounts of clay especially for face and hands etc. Also very useful as a small accurate cutter.
techniques used for - fine detailing, adding, cutting, scraping, shaping, smoothing, blending. All on small areas.
Please note:- the clay tools tutorial continues AFTER the form below
Now a selection of other tools very useful in clay sculpture techniques which I will explain individually below.
Scalpel
A scalpel is used for slicing off thin layers of clay where the pressure of a clumsier tool may break off an arm or other unsupported area (remember, in this clay sculpting tutorial I am showing you how to sculpt in ceramic clay without using any armatures). Also good in small hard to access areas.
techniques used for - cutting fine slices off thin areas which do not have an internal armature and are therefore delicate to work on (eg. a slender arm away from any support). Also for slicing through small areas in order to move them slightly or work on them off-sculpt.
Potters Knife
Potters knives can be found in any potters store and is an essential bit if kit for a ceramic sculpture.
It enables you to do all the things you do with a scalpel (see above), but gives more freedom because it allows you to do it on a larger scale than a scalpel. I love this bit of kit - and use it mainly for correcting and adjusting.
techniques used for - like the smaller scalpel above, it can cut fine slices off thin areas which do not have an internal armature and are therefore delicate to work on (eg. a slender arm away from any support). Also for slicing through larger areas in order to move them slightly or work on them off-sculpt (eg. repositioning an arm), or cutting through the waist to tilt the upper body slightly, or cutting in order to hollow for firing.
I find an invaluable tool I use all the time is the clay extruder. Clay is hard to roll into small strings as it tends to dry out too much. However, clay is easy to extrude in small strings and neat flat lengths. Also I use the larger shaped holes to sculpt musical instruments like harps and tambourines.
techniques used for - adding, making thin bits of clay for decoration and finishing. A must have tool for finessing.
Handmade Tool
"A man who does not make his own tools does not make his own art." Michelangelo
This tool is made from a length of doweling and part of a hacksaw blade.
One end is flattened (not too fat & not too thin) then rounded off and used for applying and blending clay. This is my most used applicator tool in this second phase of the sculpt.
The serrated end is used mainly for gentle fine tuning of facial contours.
There are three types of brushes I have found useful over the years. Each has a specific use.
Medium stiffness. Used for wetting sculpt before adding fresh clay. Also, you use this brush for smoothing clay with water to the first stage of a neat finish. Note: Not all sculpts need to be smoothed, some you want to show tool marks and a rougher finish. You can also use this brush as a modeling tool to manipulate fresh clay (painting on).
Large Ceramic Smoother Brush. This is a specialist flat ferrule brush for smoothing to a final glossy finish. The wet bristles leave no brush mark on the clay, but still have enough resistance to remove a layer. Ask at your local pottery supplier or contact me for more information.
Small Smoother brush (cut-quill shank). This is a specialist brush for smoothing small areas of flesh tone on the face of ceramic figurine sculpts.